You may have seen me on Daystar recently discussing the history of the Great Seal of the United States and the occultism connected with its prophecies. Starting in June-July in related shows we plan to broadcast a truly groundbreaking SkyWatch TV 6-week investigation titled ZEITGEIST 2025 showing just how close we are to what 33-rd Degree Master Freemason Manly P. Hall called “The Secret Destiny of America.”
Some years ago, I was on my way to Roswell, New Mexico, to meet with David Flynn and some other fiends. As I recall, we were joining up to support David, who was scheduled to give a presentation during the famous International UFO Festival. While driving, my cell phone rang, and on the other end of the line was another friend, filmmaker Chris Pinto. He wanted to know if I would be interested in meeting with him in Washington, DC, in just two days from then to be part of the History Channel’s Brad Meltzer’s Decoded series. Normally, I decline all such invitations, as I have witnessed too many times how these programs twist the Christian’s worldview, and I’m typically uninterested in sacrificing myself to help somebody’s secular ratings. Yet, because it was Pinto, and the project sounded like it was right down his alley (the Brad Meltzer’s team was going to “investigate the historical mystery as to what happened to the White House Cornerstone”), I agreed to participate. The History Channel (HC) wanted me to speak to the issue of the Washington Monument, why and how it was built, and whether the missing White House cornerstone may lie hidden beneath it. It sounded harmless enough, and so I agreed to turn around and head that way.
Two days later—while Pinto was somewhere across town having already been filmed for the program—I met up with Meltzer’s two main field investigators (who can be seen running around the world in the HC series checking into whatever the producers pretend to investigate) in DC—Christine McKinley and Scott Rolle. Christine has a mechanical engineering degree from California Polytechnic University, and Scott is a circuit court judge in Frederick County, Maryland (and an actor), so I was interested especially in what Christine might think of the engineering feat that the Freemasons had employed in building the largest obelisk of its kind in the world (the Washington Monument). A special permit had been secured for the film project, and besides Christine and Scott, there were at least five camera operators, two producers, a team of technicians, and a huge crowd of people who had gathered to see what was going on. The producer wanted to film Christine and Scott (the “investigators”) walking up (with the Capitol dome in their background) while I approached the obelisk from the other direction, and then we would meet up at the base of the monument, greet each other, and begin talking about the mysterious construction project, why it was built, and finally whether I believed the stone was buried beneath it.
But something else happened.
As I started describing the obelisk facing the dome and the rich Egyptian symbolism involving Osiris, Isis, the Freemasons, and how the mechanics of these magical devices were specifically designed to open a doorway or “stargate” that allows Osiris to arise from the underworld to take his rightful place inside every US president (more on that in a bit), the producer became enthralled with the storyline and wanted to continue filming me (for almost two hours), basically describing the plotline from my upcoming book Zeithgeist 2025. Then Christine McKinley went off script too, explaining that her father had been a 32nd-degree Freemason, and she wanted to know if I thought he had been part of an occult organization. That led to another half-hour of discussion and, well, we never did get back to the original reason for my being there. The producer then approached me to ask if they could use the film they had shot to pitch a different project to the History Channel, which I agreed to but never heard any more about.
When the Decoded episode on the missing White House cornerstone played on television, I was—once again—happy that my face was not included in a History Channel production (and I have since turned them down several times, most recently for their Search for the Lost Giants program in which they practically begged me to appear to discuss how transhumanism and the genetics revolution may be repeating what the ancient Watchers did in creating Nephilim). They did, however, include Chris Pinto’s interview in the Decoded episode filmed that day, followed by the “investigators” at a bar or pool hall somewhere afterward, defending the Freemasons as American heroes and depicting Pinto as a nut-job conspiracy theorist. I only had to watch a couple other episodes of Decoded to get that it was a short-lived ruse meant for entertainment, ratings, and sales, but not a whit about serious investigative work or “decoding” anything.
That said, I do have to thank the History Channel and Brad Meltzer for that Washington, DC, experience and their disgraceful treatment (frame-up) of award-winning and real exploratory filmmaker, Chris Pinto. They unintentionally provided me one of the “thousand points of light” that eventually convinced us to launch SkyWatch TV and to make bona fide investigative reports an integral part of our future media endeavors. In fact, the upcoming Zeitgeist 2025 book and investigative series is only a part of what will be followed by fresh insights into the most powerful stargates in the world—America, the Vatican, and the portals of Apollo-Osiris
How many people know that located right inside Washington, DC, is: 1) a stargate; 2) seventy-two (72) pentagrams at the base of the stargate to control the “immortals”; 3) powerful generators (dome and obelisk) designed from antiquity to make the stargate work; and 4) ancient prophecies connected to this device that make it clear exactly who will be coming through the mystical doorway in the future? How many also know that similar devices and prophecies are built into the Vatican’s headquarters in Rome?
The Dome and Obelisk
Undoubtedly the vast majority of people, when looking at Washington, DC, and at the Vatican, never comprehend how these cities constitute one of the greatest open conspiracies of all time. There, reproduced in all their glory and right before the world’s eyes, is an ancient talismanic diagram based on the history and cult of Isis, Osiris, and Horus, including the magical utilities meant to generate the deity’s return.
The primeval concept—especially that of sacred domes facing obelisks—was designed in antiquity for the express purpose of regeneration, resurrection, and apotheosis, for deity incarnation from the underworld to earth’s surface through union of the respective figures—the dome (ancient structural representation of the womb of Isis) and the obelisk (ancient representation of the erect male phallus of Osiris).
This layout, as modeled in antiquity, exists today on the grandest scale at the heart of the capital of the most powerful government on earth—the United States—as well as in the heart of the most politically influential Church on earth—the Vatican. Given this fact and the pattern provided by the apostle Paul and the Apocalypse of John (the book of Revelation) that the end times would culminate in a marriage between political (Antichrist) and religious (False Prophet) authorities at the return of Osiris/Apollo, it behooves open-minded researchers to carefully consider this prophecy in stone, as it defines the spiritual energy that is knowingly or unknowingly being invoked at both locations with potential ramifications for Petrus Romanus (Pope Francis?)…and beyond.
The US capital has been called the “Mirror Vatican” due to the strikingly similar layout and design of its primary buildings and streets. This is no accident. In fact, America’s forefathers first named the capital city “Rome.” But the parallelism between Washington and the Vatican is most clearly illustrated by the Capitol building and dome facing the obelisk known as the Washington Monument, and at St. Peter’s Basilica in the Vatican by a similar dome facing a familiar obelisk—both of which were, according to their own official records, fashioned after the Roman Pantheon, the circular-domed rotunda “dedicated to all pagan gods.” This layout—a domed temple facing an obelisk—is an ancient, alchemical blueprint that holds significant esoteric meaning.
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For those who may not know, the US Capitol building in Washington, DC, is historically based on a pagan Masonic temple theme. Thomas Jefferson, who shepherded the anti-Christian “Roman Pantheon” design, wrote to the Capitol’s architect, Benjamin LaTrobe, defining it as “the first temple dedicated to…embellishing with Athenian taste the course of a nation looking far beyond the range of Athenian destinies”[i] (the “Athenian” empire was first known as “Osiria,” the kingdom of Osiris). In 1833, Massachusetts Representative Rufus Choate agreed, writing, “We have built no national temples but the Capitol.”[ii] William Henry and Mark Gray, in their book, Freedom’s Gate: Lost Symbols in the U.S. Capitol, add that, “The U.S. Capitol has numerous architectural and other features that unquestionably identify it with ancient temples.”[iii] After listing various features to make their case that the US Capitol building is a “religious temple”—including housing the image of a deified being, heavenly beings, gods, symbols, inscriptions, sacred geometry, columns, prayers, and orientation to the sun—they conclude:
The designers of the city of Washington DC oriented it to the Sun—especially the rising Sun on June 21 and December 21 [the same day and month as the end of the Mayan calendar in 2012]. The measurements for this orientation were made from the location of the center of the Dome of the U.S. Capitol, rendering it a “solar temple.” Its alignment and encoded numerology point to the Sun as well as the stars. A golden circle on the Rotunda story and a white star in the Crypt marks this spot.… It is clear that the builders viewed the Capitol as America’s sole temple: a solemn…Solar Temple to be exact.[iv]
To understand what these statements may soon mean for the future of the world, one needs to comprehend how these [stargate] aparati—the dome and the obelisk facing it—facilitate important archaic and modern protocols for invigorating prophetic supernatural alchemy. In ancient times, the obelisk represented the god Osiris’ “missing” male organ, which Isis was not able to find after her husband/brother was slain and chopped into fourteen pieces by his evil brother Seth (or Set). The story involves a detailed account of the envious brother and seventy-two conspirators [important numerology we will get to later in this chapter] tricking Osiris into climbing inside a box, which Seth quickly locked and threw into the Nile. Osiris drowned, and his body floated down the Nile River, where it snagged on the limbs of a tamarisk tree. In Byblos, Isis recovered his body from the river bank and took it into her care. In her absence, Seth stole the body again and chopped it into fourteen pieces, which he threw into the Nile. Isis searched the river bank until she recovered every piece, except for the genitals, which had been swallowed by a fish (Plutarch says a crocodile). Isis recombined the thirteen pieces of Osiris’ corpse and replaced the missing organ with a magic facsimile (Obelisk), which she used to impregnate herself, thus giving rise to Osiris again in the person of his son, Horus. This legendary ritual for reincarnating Osiris formed the core of Egyptian cosmology (as well as the Rosicrucian/Masonic dying-and-rising myths) and was fantastically venerated on the most imposing scale throughout all of Egypt by towering Obelisks (representing the phallus of Osiris) and Domes (representing the pregnant belly of Isis) including at Karnak where the upright Obelisks were “vitalized” or “stimulated” from the energy of the masturbatory Sun god Ra shining down upon them.
There is historical evidence that this elaborate myth and its rituals may have been based originally on real characters and events. Regarding this, it is noteworthy that in 1998, former secretary general of Egypt’s Supreme Council of Antiquities, Zahi Hawass, claimed to have found the burial tomb of the god Osiris (Apollo/Nimrod) at the Giza Plateau. In the article, “Sandpit of Royalty,” from the newspaper Extra Bladet (Copenhagen), January 31, 1999, Hawass was quoted saying:
I have found a shaft, going twenty-nine meters vertically down into the ground, exactly halfway between the Chefren Pyramid and the Sphinx. At the bottom, which was filled with water, we have found a burial chamber with four pillars. In the middle is a large granite sarcophagus, which I expect to be the grave of Osiris, the god.… I have been digging in Egypt’s sand for more than thirty years, and up to date this is the most exciting discovery I have made.… We found the shaft in November and began pumping up the water recently. So several years will pass before we have finished investigating the find.[v]
As far as we know, this discovery did not ultimately provide the physical remains of the deified person. But what it did illustrate is that at least some very powerful Egyptologists believe Osiris was a historical figure, and that his body was stored somewhere at or near the Great Pyramid. Manly P. Hall, who knew that the Masonic legend of Hiram Abiff was a thinly veiled prophecy of the resurrection of Osiris, may have understood what Zahi Hawass was looking for, and why. Consider that he wrote in The Secret Teachings of All Ages: “The Dying God (Osiris) shall rise again! The secret room in the House of the Hidden Places shall be rediscovered. The Pyramid again shall stand as the ideal emblem of…resurrection, and regeneration.”[vi]
In Egypt, where rituals were performed to actually “raise” the spirit of Osiris into the reigning Pharaoh, political authority in the form of divine kingship or theocratic statesmanship was established (later reflected in the political and religious doctrine of royal and political legitimacy or “the divine right of kings,” who supposedly derived their right to rule from the will of God, with the exception in some countries that the king is subject to the Church and the pope). This meant, among other things, the Egyptian pharaoh enjoyed extraordinary authority as the “son of the sun god” (Ra) and the incarnation of the falcon god Horus during his lifetime. At death, the pharaoh became the Osiris, the divine judge of the netherworld, and on earth, his son and predecessor took his place as the newly anointed manifestation of Horus. Thus, each generation of pharaohs provided the gods with a spokesman for the present world and for the afterlife while also offering the nation divinely appointed leadership.
Yet the observant reader may wonder, “Was there something more to the pharaoh’s deification than faith in ritual magic?” The cult center of Amun-Ra at Thebes may hold the answer, as it was the site of the largest religious structure ever built—the temple of Amun-Ra at Karnak—and the location of many extraordinary mysterious rites. The great temple with its one hundred miles of walls and gardens (the primary object of fascination and worship by the nemesis of Moses—the pharaoh of the Exodus, Ramses II) was the place where each pharaoh reconciled his divinity in the company of Amun-Ra during the festival of Opet. The festival was held at the temple of Luxor and included a procession of gods carried on barges up the Nile River from Karnak to the temple. The royal family accompanied the gods on boats while the Egyptian laity walked along the shore, calling aloud and making requests of the gods. Once at Luxor, the pharaoh and his entourage entered the holy of holies, where the ceremony to raise the spirit of Osiris into the king was performed and pharaoh was transmogrified into a living deity. Outside, large groups of dancers and musicians waited anxiously. When the king emerged as the “born again” Osiris, the crowd erupted in gaiety. From that day forward, the pharaoh was considered to be—just as the god ciphered in the Great Seal of the United States will be—the son and spiritual incarnation of the Supreme Deity. The all-seeing eye of Horus/Apollo/Osiris above the unfinished pyramid on the Great Seal represents this event.
Modern people, especially in America, may view the symbols used in this magic—the dome representing the habitually pregnant belly of Isis, and the obelisk, representing the erect phallus of Osiris—as profane or pornographic. But they were in fact ritualized fertility objects, which the ancients believed could produce tangible reactions, properties, or “manifestations” within the material world. The obelisk and dome as imitations of the deities’ male and female reproductive organs could, through government representation, invoke into existence the being or beings symbolized by them. This is why inside the temple or dome, temple prostitutes representing the human manifestation of the goddess were also available for ritual sex as a form of imitative magic. These prostitutes usually began their services to the goddess as children, and were deflowered at a very young age by a priest or, as Isis was, by a modeled obelisk of Osiris’ phallus. Sometimes these prostitutes were chosen, on the basis of their beauty, as the sexual mates of sacred temple bulls who were considered the incarnation of Osiris. In other places, such as at Mendes, temple prostitutes were offered in coitus to divine goats. Through such imitative sex, the dome and obelisk became “energy receivers,” capable of assimilating Ra’s essence from the rays of the sun, which in turn drew forth the “seed” of the underworld Osiris. The seed of the dead deity would, according to the supernaturalism, transmit upward [through the portal] from out of the underworld through the base (testes) of the obelisk and magically emit from the tower’s head into the womb (dome) of Isis where incarnation into the sitting pharaoh/king/president would occur (during what Freemasons also call the raising [of Osiris] ceremony). In this way, Osiris could be habitually “born again” or reincarnated as Horus and constantly direct the spiritual destiny of the nation.
This metaphysical phenomenon, which originated with Nimrod/Semiramis and was central to numerous other ancient cultures, was especially developed in Egypt, where Nimrod/Semiramis were known as Osiris/Isis (and in Ezekiel chapter 8 the children of Israel set up the obelisk [“image of jealousy,” verse 5] facing the entry of their temple—just as the dome faces the obelisk in Washington, DC, and in the Vatican City—and were condemned by God for worshipping the Sun [Ra] while weeping for Osiris [Tammuz]). The familiar Masonic figure of the point within a circle is the symbol of this union between Ra, Osiris, and Isis. The “point” represents Osiris’ phallus in the center of the circle or womb of Isis, which in turn is enlivened by the sun rays from Ra, just as is represented today at the Vatican, where the Egyptian obelisk of Osiris sits within a circle, and in Washington, DC, where the obelisk does similarly, situated so as to be the first thing the sun (Ra) strikes as it rises over the capital city and which, when viewed from overhead, forms the magical point within a circle known as a circumpunct. The sorcery is further amplified, according to ancient occultic beliefs, by the presence of the Reflecting Pool in DC, which serves as a mirror to heaven and “transferring point” for [the immortals’] spirits and energies.
And just what is it the spirits see when they look downward on the Reflecting Pool in Washington? They find a city dedicated to and built in honor of the legendary deities Isis and Osiris complete with the thirteen gathered pieces of Osiris (America’s original thirteen colonies); the required obelisk known as the Washington Monument; the Capitol dome (of Isis) for impregnation and incarnation of deity into each pharaoh (President); and last but not least, the official government buildings erected to face their respective counterparts and whose cornerstones—including the US. Capitol dome—were dedicated during astrological alignments related to the zodiacal constellation Virgo (Isis) as required for the magic to occur.
UP NEXT: Where the Vitality of Osiris/Apollo (the Beast that Was, and Is Not, and Yet Is) Pulsates in Anticipation of His Final “Raising”
[i]“Growth of a Young Nation,” U.S. House of Representatives: Office of the Clerk, last accessed January 30, 2012, http://artandhistory.house.gov/art_artifacts/virtual_tours/splendid_hall/young_nation.aspx.
[ii]“1964–Present: September 11, 2001, The Capitol Building as a Target,” United States Senate, last accessed January 30, 2012, http://www.senate.gov/artandhistory/history/minute/Attack.htm.
[iii] William Henry and Mark Gray, Freedom’s Gate: Lost Symbols in the U.S. (Hendersonville, TN: Scala Dei, 2009) 3.
[v]“Sandpit of Royalty,”Extra Bladet (Copenhagen, January 31, 1999).
[vi]Manly P Hall, Secret Teachings, 104.