As I’ve written before and publicly stated in interviews, the vast majority of people, when looking at Washington, DC, and at the Vatican, never comprehend how these cities constitute one of the greatest open conspiracies of all time. There, reproduced in all their glory and right before the world’s eyes, is an ancient talismanic diagram based on the history and cult of Isis, Osiris, and Horus, including the magical utilities meant to generate the deity’s return.
The primeval concept—especially that of sacred domes facing obelisks—was designed in antiquity for the express purpose of regeneration, resurrection, and apotheosis, for deity incarnation from the underworld to earth’s surface through union of the respective figures—the dome (ancient structural representation of the womb of Isis) and the obelisk (ancient representation of the erect male phallus of Osiris).
This layout, as modeled in antiquity, exists today on the grandest scale at the heart of the capital of the most powerful government on earth—the United States—as well as in the heart of the most politically influential Church on earth—the Vatican. Given this fact and the pattern provided by the Apostle Paul and the Apocalypse of John (the book of Revelation) that the end times would culminate in a marriage between political (Antichrist) and religious (False Prophet) authorities at the return of Osiris/Apollo, it behooves open-minded researchers to carefully consider this prophecy in stone, as it defines the spiritual energy that is knowingly or unknowingly being invoked at both locations with potential ramifications for the year 2025 and beyond.
The US capital has been called the “Mirror Vatican” due to the strikingly similar layout and design of its primary buildings and streets. This is no accident. In fact, America’s forefathers first named the capital city “Rome.” But the parallelism between Washington and the Vatican is most clearly illustrated by the Capitol building and dome facing the obelisk known as the Washington Monument, and at St. Peter’s Basilica in the Vatican by a similar dome facing a familiar obelisk—both of which were, according to their own official records, fashioned after the Roman Pantheon, the circular domed rotunda “dedicated to all pagan gods.” This layout—a domed temple facing an obelisk—is an ancient, alchemical blueprint that holds significant esoteric meaning.
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For those who may not know, the US Capitol building in Washington, DC, is historically based on a pagan Masonic temple theme. Thomas Jefferson, who shepherded the antichristian “Roman Pantheon” design, wrote to the Capitol’s architect, Benjamin LaTrobe, defining it as “the first temple dedicated to…embellishing with Athenian taste the course of a nation looking far beyond the range of Athenian destinies”[i] (the “Athenian” empire was first known as “Osiria,” the kingdom of Osiris). In 1833, Massachusetts Representative Rufus Choate agreed, writing, “We have built no national temples but the Capitol.”[ii] William Henry and Mark Gray in their book, Freedom’s Gate: Lost Symbols in the U.S. Capitol, add that, “The U.S. Capitol has numerous architectural and other features that unquestionably identify it with ancient temples.”[iii] After listing various features to make their case that the US Capitol building is a “religious temple”—including housing the image of a deified being, heavenly beings, gods, symbols, inscriptions, sacred geometry, columns, prayers, and orientation to the sun—they conclude:
The designers of the city of Washington DC oriented it to the Sun—especially the rising Sun on June 21 and December 21 [the dates in 2020 that Newsweek[iv] and other sources reported the Aztec Calendar Stone in the Capitol rotunda rolled over to a final age, followed December 21, 2020,[v] by the alignment of Jupiter and Saturn heralding the arrival of a “promised son” (Antichrist)]. The measurements for this orientation were made from the location of the center of the Dome of the U.S. Capitol, rendering it a “solar temple.” Its alignment and encoded numerology point to the Sun as well as the stars. A golden circle on the Rotunda story and a white star in the Crypt marks this spot.… It is clear that the builders viewed the Capitol as America’s sole temple: a solemn…Solar Temple to be exact.”[vi]
To understand what these statements may soon mean for the future of the world, one needs to comprehend how these apparati—the dome and the obelisk facing it—facilitate important archaic and modern protocols for invigorating prophetic supernatural alchemy. In ancient times, the obelisk represented the god Osiris’ “missing” male organ, which Isis was not able to find after her husband/brother was slain and chopped into fourteen pieces by his evil brother Seth (or Set). The story involves a detailed account of the envious brother and seventy-two (72) conspirators tricking Osiris into climbing inside a box, which Seth quickly locked and threw into the Nile. Osiris drowned, and his body floated down the Nile River, where it snagged on the limbs of a tamarisk tree. In Byblos, Isis recovered his body from the river bank and took it into her care. In her absence, Seth stole the body again and chopped it into fourteen pieces, which he threw into the Nile. Isis searched the river bank until she recovered every piece, except for the genitals, which had been swallowed by a fish (Plutarch says a crocodile). Isis recombined the thirteen pieces of Osiris’ corpse and replaced the missing organ with a magic facsimile (obelisk), which she used to impregnate herself during the very first “raising of Osiris” ceremony in which she called forth the seed of the dead god from the underworld up through the magic device, thus giving rise to Osiris again in the person of his son, Horus. This legendary ritual for reincarnating Osiris formed the core of Egyptian cosmology (as well as the Rosicrucian/Masonic dying-and-rising myths) and was fantastically venerated on the most imposing scale throughout all of Egypt by towering obelisks (representing the phallus of Osiris) and domes (representing the pregnant belly of Isis) including at Karnak, where the upright obelisks were “vitalized” or “stimulated” from the energy of the masturbatory sun-god Ra shining down upon them.
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There is historical evidence that this elaborate myth and its rituals may have been based originally on real characters and events. Regarding this, it is noteworthy that, in 1998, former secretary general of Egypt’s Supreme Council of Antiquities, Zahi Hawass, claimed to have found the burial tomb of the god Osiris (Apollo/Nimrod) at the Giza Plateau. In the article, “Sandpit of Royalty,” from the newspaper Extra Bladet (Copenhagen), January 31, 1999, Hawass was quoted saying:
I have found a shaft, going twenty-nine meters vertically down into the ground, exactly halfway between the Chefren Pyramid and the Sphinx. At the bottom, which was filled with water, we have found a burial chamber with four pillars. In the middle is a large granite sarcophagus, which I expect to be the grave of Osiris, the god.… I have been digging in Egypt’s sand for more than thirty years, and up to date this is the most exciting discovery I have made.… We found the shaft in November and began pumping up the water recently. So several years will pass before we have finished investigating the find.[vii]
As far as we know, this discovery did not ultimately provide the physical remains of the deified person. But what it did illustrate is that at least some very powerful Egyptologists believe Osiris was a historical figure, and that his body was stored somewhere at or near the Great Pyramid. Manly P. Hall, who knew that the Masonic legend of Hiram Abiff was a thinly veiled prophecy of the resurrection of Osiris, may have understood what Zahi Hawass (not to mention Roerich, Roosevelt, and Wallace with their sacred Osiris Casket [see previous chapter]) was looking for, and why. Consider that he wrote in The Secret Teachings of All Ages: “The Dying God [Osiris] shall rise again! The secret room in the House of the Hidden Places shall be rediscovered. The Pyramid again shall stand as the ideal emblem of…resurrection, and regeneration.”[viii]
In Egypt, where rituals were performed to actually “raise” the spirit of Osiris into the reigning Pharaoh, political authority in the form of divine kingship or theocratic statesmanship was established (later reflected in the political and religious doctrine of royal and political legitimacy or “the divine right of kings,” who supposedly derived their right to rule from the will of God, with the exception in some countries that the king is subject to the Church and the pope). This meant, among other things, that the Egyptian Pharaoh enjoyed extraordinary authority as the “son of the sun god” (Ra) and the incarnation of the falcon god Horus during his lifetime. At death, Pharaoh became the Osiris, the divine judge of the netherworld, and on earth, his son and predecessor took his place as the newly anointed manifestation of Horus. Thus each generation of pharaohs provided the gods with a spokesman for the present world and for the afterlife while also offering the nation divinely appointed leadership.
Yet the observant reader may wonder, “Was there something more to the Pharaoh’s deification than faith in ritual magic?” The cult center of Amun-Ra at Thebes may hold the answer, as it was the site of the largest religious structure ever built—the temple of Amun-Ra at Karnak—and the location of many extraordinary mysterious rites. The great temple with its miles of walls and gardens (the primary object of fascination and worship by the nemesis of Moses—the Pharaoh of the Exodus, Ramses II) was the place where each Pharaoh reconciled his divinity in the company of Amun-Ra during the festival of Opet. The festival was held at the temple of Luxor and included a procession of gods carried on barges up the Nile River from Karnak to the temple. The royal family accompanied the gods on boats while the Egyptian laity walked along the shore, calling aloud and making requests of the gods. Once at Luxor, the Pharaoh and his entourage entered the holy of holies, where the ceremony to raise the spirit of Osiris into the king was performed and Pharaoh was transmogrified into a living deity. Outside, large groups of dancers and musicians waited anxiously. When the king emerged as the “born-again” Osiris, the crowd erupted in gaiety. From that day forward, the Pharaoh was considered to be—just as the god ciphered in the Great Seal of the United States will be—the son and spiritual incarnation of the Supreme Deity. The all-seeing eye of Horus/Apollo/Osiris above the unfinished pyramid on the Great Seal represents this event.
Fast forward to today and, at the inauguration of every American president, across town at the House of the Temple, the modern Egyptian magicians (Freemasons) simultaneously conduct the “Raising of Osiris” ceremony to call the seed of Osiris-Apollo from the underworld through the Washington monument obelisk, where it magically emits into the US Capitol Dome while America’s new leader stands there accepting his role as the living representative of Osiris. This is done in anticipation of the day when events will surpass parody and “the beast that…was, and is not; shall ascend out of the bottomless pit, and go into perdition [Greek Apollo]: and they that dwell on the earth shall wonder, whose names were not written in the book of life from the foundation of the world, when they behold the beast that was, and is not, and yet is” (Revelation 17:8).
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For a few adepts of history and secret orders, the DC ritual is deliciously staged as even the term “inaugurate” is from the Latin inauguratio, and refers to the archaic ceremony by which the Roman augurs (soothsayers) approved a king or ruler (or other action) through omens as being sanctioned by the god Jupiter, the same entity whose prophecies on the Great Seal herald his upcoming challenge to Yahweh-Jehovah for heavenly supremacy while his son Apollo-Osiris seizes authority over the world in a final pagan Golden Age.
As pointed out in the bestselling documentary Belly of the Beast and in broadcast programs on SkyWatch TV, which first aired June-August, 2021, the dome where US presidents stand during inauguration (and where they lie in state for their spirit to rise into the Apotheosis overhead to join George Washington in the kingdom of Osiris at death) alone is an unparalleled magical construct that openly hides the most formidable ancient supernaturalism meant for regeneration of Apollo-Osiris. In fact, it is a Satanic (Antichrist) plagiarism of the death, burial, and resurrection of Jesus Christ that I believe will play a role in the “healing” of Antichrist after he experiences a deadly head wound (see Revelation 13:3).
- Note that the 1865 Apotheosis of Washington painted by Greek-Italian artist Constantino Brumidi is visible through the oculus of the dome in the rotunda and bears anything but Christian symbols. It is filled with Greco-Roman gods, to whom Thomas Jefferson dedicated the United States.
- “Apotheosis” means to become a god or revived eternal being. In this depiction, Washington is becoming Osiris of the afterlife.
- The gods in the painting surrounding Washington are depicted helping the founders establish “a more perfect union” (as in the New Atlantis scheme described elsewhere in this book).
- Directly beneath the Apotheosis are seventy-two pentagrams forming a sorcerous gateway used by secret society members and occultists to bind and loose the seventy-two fallen angels over the heathen nations (see Psalm 82; Deuteronomy 32).
- Finally, under the floor of the rotunda is the US National Crypt, where an empty tomb resides (“He is not here, for he is risen”). This is where I argue that Antichrist will be taken after his head injury and the Freemasons will conduct the raising of Osiris ceremony, at which time he will be transmogrified into the living incarnation of Osiris-Apollo (see Revelation 17:8).
There is more to the Capitol dome, anti-Christ plagiarism of the life of Christ than these aspects of the building’s design, but these points of interest clearly reveal how the architects imagined a dark parody of Jesus.
As Jesus died and rose into heaven, so Washington rises to become the Osiris.
As the seventy-two pentagrams in the Capitol dome are used to control the seventy-two kosmokrators over the nations, Jesus confronted the seventy-two fallen Watchers—from the base of Mount Hermon to His visit in the underworld and final ascension into heaven, whereby He proclaimed in Revelation 1:18: “I am he that liveth, and was dead; and, behold, I am alive for evermore [a clear denunciation of the Osiris “dying and rising god” myth so popular during His first advent], Amen; and have the keys of hell [Hades, the name Greeks gave to Osiris!] and of death.” This is important because Osiris was the lord of the underworld in Greek myth and controlled who possessed the keys to the twelve gates of Egyptian afterlife.
Much has been written by historians within and without Masonry as to the relevance of the number seventy-two (72) and the alchemy related to it. In the Kabbalah, Freemasonry, and Jewish apocalyptic writings, the number equals the total of wings Enoch received when transformed into the powerful angel Metatron (3 Enoch 9:2). This plays an important role for the Brotherhood, as Metatron or “the angel in the whirlwind” was enabled as the guiding spirit over America during George W. Bush’s administration for the purpose of directing the future and fate of the United States (as also prayed by Congressman Major R. Owens of New York before the House of Representatives on Wednesday, February 28, 2001).
But in the context of the Capitol dome and the seventy-two stars that circle Washington’s Apotheosis in the womb of Isis, the significance of this symbolism is far more important. In sacred literature, including the Bible, stars are symbolic of angels, and within Masonic Gnosticism, these seventy-two powerful entities (reflected in the seventy-two conspirators that controlled Osiris’ life in Egyptian myth) currently administer the affairs of earth under Satan, the god of this world (2 Corinthians 4:4).
UP NEXT: Controlling The Controllers—The 72 Kosmokrators That Influence The World—And The Culmination Of Their Secret Destiny For America
[i] “Growth of a Young Nation,” U.S. House of Representatives: Office of the Clerk, last accessed January 30, 2012, http://artandhistory.house.gov/art_artifacts/virtual_tours/splendid_hall/young_nation.aspx
[ii] “1964–Present: September 11, 2001, The Capitol Building as a Target,” United States Senate, last accessed January 30, 2012, http://www.senate.gov/artandhistory/history/minute/Attack.htm.
[iii] William Henry and Mark Gray, Freedom’s Gate: Lost Symbols in the U.S. (Hendersonville, TN: Scala Dei, 2009), 3.
[vi] Ibid., 4.
[vii] “Sandpit of Royalty,” Extra Bladet (Copenhagen, January 31, 1999).
[viii] Hall, Secret Teachings, 104.