After documenting how Freemason US President Franklin D. Roosevelt and his Vice President Henry Wallace, also a Freemason, pushed to get the Great Seal of the United States placed on the one-dollar bill, and how both men believed the symbolism and mottoes of the seal were a Masonic-approved prophecy about a New World Order that would start at the second coming of Apollo/Osiris/Nimrod, I continued in Zenith 2016:
Whatever the case for Wallace, like Manly Hall had, he and Roosevelt viewed the all-seeing eye above the unfinished pyramid as pointing to the return (or reincarnation) of this coming savior, whose arrival would cap the pyramid and launch the New World Order. The all-seeing eye on the Great Seal is fashioned after the Eye of Horus, the offspring of Osiris (or Osiris resurrected), as both men surely understood. Aliester Crowley, 33rd-Degree Freemason (the “wickedest man on earth”) and a Roerich occult contemporary, often spoke of this as the “New Age of Horus” and the breaking dawn of the rebirth of Osiris. That [the United states president, vice president, and] such mystics and Freemasons simultaneously used such identical language is telling, given that the Great Seal’s mottoes and symbolism relate to both Osiris and Apollo specifically, yet as one. Osiris is the dominant theme of the Egyptian symbols, his resurrection and return, while the mottoes of the seal point directly to Apollo, and the eagle, a pagan emblem of Jupiter, to Apollo’s father. For instance, the motto annuity coeptis is from Virgil’s Aeneid, in which Ascanius, the son of Aeneas from conquered Troy, prays to Apollo’s father, Jupiter [Zeus]. Charles Thompson, designer of the Great Seal’s final version, condensed line 625 of book IX of Virgil’s Aeneid, which reads, Juppiter omnipotes, audacibus annue coeptis(“All-powerful Jupiter favors [the] daring undertakings”), to Annuitcoeptis (“He approves [our] undertakings”), while the phrase novus ordo seclorum (“a new order of the ages”) was adapted in 1782 from inspiration Thompson found in a prophetic line in Virgil’s Eclogue IV: Magnus ab integro seclorum nascitur ordo(Virgil’s Eclogue IV, line 5), the interpretation of the original Latin being, “And the majestic roll of circling centuries begins anew.” This phrase is from the Cumaean Sibyl (a pagan prophetess of Apollo, identified in the Bible as a demonic deceiver) and involves the future birth of a divine son, spawned of “a new breed of men sent down from heaven” (what Roosevelt, Wallace, and Roerich were looking for) when he receives “the life of gods, and sees Heroes with gods commingling.” According to the prophecy, this is Apollo, son of Jupiter (Zeus), who returns to earth through mystical “life” given to him from the gods when the deity Saturn returns to reign over the earth in a new pagan golden age.
From the beginning of the prophecy we read:
Now the last age by Cumae’s Sibyl sung Has come and gone, and the majestic roll Of circling centuries begins anew: Justice returns, returns old Saturn’s reign, With a new breed of men sent down from heaven. Only do thou, at the boy’s birth in whom The iron shall cease, the golden race arise, Befriend him, chaste Lucina; ‘tis thine own Apollo reigns.
He shall receive the life of gods, and see Heroes with gods commingling, and himself Be seen of them, and with his father’s worth Reign o’er a world.…
Assume thy greatness, for the time draws nigh, Dear child of gods, great progeny of Jove [Jupiter/Zeus]! See how it totters—the world’s orbed might, Earth, and wide ocean, and the vault profound, All, see, enraptured of the coming time![i]
According to Virgil and the Cumaean Sibyl, whose prophecy formed the novus ordo seclorum of the Great Seal of the United States, the New World Order begins during a time of chaos when the earth and oceans are tottering—a time like today. This is when the “son” of promise arrives on earth—Apollo incarnate—a pagan savior born of “a new breed of men sent down from heaven” when “heroes” and “gods” are blended together. This sounds eerily similar to what the Watchers did during the creation of the Nephilim and to what scientists are doing this century through genetic engineering of human-animal chimeras. But to understand why such a fanciful prophecy about Apollo, son of Jupiter, returning to earth should be important to you: In ancient literature, Jupiter was the Roman replacement of Yahweh as the greatest of the gods—a “counter-Yahweh.” His son Apollo is a replacement of Jesus, a “counter-Jesus.” This Apollo comes to rule the final New World Order, when “Justice returns, returns old Saturn’s [Satan’s] reign.” The ancient goddess Justice, who returns Satan’s reign (Saturnia regna, the pagan golden age), was known to the Egyptians as Ma’at and to the Greeks as Themis, while to the Romans she was Lustitia. Statues and reliefs of her adorn thousands of government buildings and courts around the world, especially in Washington, DC, as familiar Lady Justice, blindfolded and holding scales and a sword. She represents the enforcement of secular law and is, according to the Sibyl’s conjure, the authority that will require global compliance to the zenith of Satan’s dominion concurrent with the coming of Apollo. What’s more, the Bible’s accuracy concerning this subject is alarming, including the idea that “pagan justice” will require surrender to a satanic system in a final world order under the rule of Jupiter’s son.
In the New Testament, the identity of the god Apollo, repeat-coded in the Great Seal of the United States as the Masonic “messiah” who returns to rule the earth, is the same spirit—verified by the same name—that will inhabit the political leader of the end-times New World Order. According to key Bible prophecies, the Antichrist will be the progeny or incarnation of the ancient spirit, Apollo. Second Thessalonians 2:3 warns: “Let no man deceive you by any means: for that day shall not come, except there come a falling away first, and that man of sin be revealed, the son of perdition [Apoleia; Apollyon, Apollo]” (emphasis added). Numerous scholarly and classical works identify “Apollyon” as the god “Apollo”—the Greek deity “of death and pestilence,” and Webster’s Dictionary points out that “Apollyon” was a common variant of “Apollo” throughout history. An example of this is found in the classical play by the ancient Greek playwright Aeschylus, The Agamemnon of Aeschylus, in which Cassandra repeats more than once, “Apollo, thou destroyer, O Apollo, Lord of fair streets, Apollyon to me.”[ii] Accordingly, the name Apollo turns up in ancient literature with the verb apollymi or apollyo (destroy), and scholars including W. R. F. Browning believe apostle Paul may have identified the god Apollo as the “spirit of Antichrist” operating behind the persecuting Roman emperor, Domitian, who wanted to be recognized as “Apollo incarnate” in his day. Such identifying of Apollo with despots and “the spirit of Antichrist” is consistent even in modern history. For instance, note how Napoleon’s name literally translates to “the true Apollo.”
Revelation 17:8 likewise ties the coming of Antichrist with Apollo, revealing that the Beast shall ascend from the bottomless pit and enter him:
The Beast that thou sawest was, and is not; and shall ascend out of the Bottomless Pit, and go into perdition [Apolia, Apollo]: and they that dwell on the Earth shall wonder, whose names were not written in the Book of Life from the foundation of the world, when they behold the Beast that was, and is not, and yet is. (emphasis added)
Among other things, this means the Great Seal of the United States is a prophecy, hidden in plain sight by the Founding Fathers and devotees of Bacon’s New Atlantis for more than two hundred years, foretelling the return of a terrifying demonic god who seizes control of earth in the new order of the ages. This supernatural entity was known and feared in ancient times by different names: Apollo, Osiris, and even farther back as Nimrod, whom Masons consider to be the father of their institution.[iii]
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The Washington Stargate
Through Masonic alchemy, presidential apotheosis—that is, the leader of the United States (America’s pharaoh) being transformed into a god within the Capitol dome/womb of Isis in sight of the obelisk of Osiris (the Washington Monument to those whom Masons call “profane,” the uninitiated)—actually began with America’s first and most revered president, Master Freemason George Washington. In fact, Masons in attendance at Washington’s funeral in 1799 cast sprigs of acacia “to symbolize both Osiris’ resurrection and Washington’s imminent resurrection in the realm where Osiris presides.”[iv] According to this Masonic enchantment, Osiris (Horus) was rising within a new president in DC as Washington took his role as Osiris of the underworld. This is further simulated and symbolized by the three-story design of the Capitol building. Freemasons point out how the Great Pyramid of Giza was made up of three main chambers to facilitate Pharaoh’s transference to Osiris, just as the temple of Solomon was a three-sectioned tabernacle made up of the ground floor, middle chamber, and Holy of Holies. The US Capitol building was thus designed with three stories—Washington’s Tomb, the Crypt, and the Rotunda—capped by a dome. Each floor has significant esoteric meaning regarding apotheosis, and the tomb of Washington is empty. The official narrative is that a legal issue kept the government from placing Washington’s body there. However, just as the tomb of Jesus Christ was emptied before His ascension, Washington is not in his tomb because he has travelled to the home of Osiris, as depicted high overhead in the womb/dome of Isis.
When visitors to Washington, DC, tour the Capitol, one of the unquestionable highlights is to visit the womb of Isis—the Capitol Dome—where, when peering upward from inside Isis’ continuously pregnant belly, tourists can see hidden in plain sight Brumidi’s 4,664-square-foot fresco, The Apotheosis of George Washington. The word “apotheosis” means to “deify” or to “become a god,” and explains part of the reason US presidents, military commanders, and members of Congress lay in state in the Capitol dome. The womb of Isis is where they go at death to magically reach apotheosis and transform into gods.
Those who believe the United States was founded on Christianity and visit the Capitol for the first time will be surprised by the stark contrast to historic Christian artwork of the ascension of Jesus Christ compared to the “heaven” George Washington rises into from within the energized Capitol dome/womb of Isis. It is not occupied by angels, but with devils and pagan deities important to Masonic belief. These include Hermes, Neptune, Venus (Isis), Ceres, Minerva, and Vulcan (Satan), of course, the son of Jupiter and Juno to which human sacrifices are made and about whom Manly Hall said brings “the seething energies of Lucifer” into the Mason’s hands.[v]
For high-degree Masons and other illuminatus, the symbolism of Washington surrounded by pagan entities and transformed into a heathen god is entirely appropriate. Deeply rooted in the mysteries of ancient societies and at the core of Rosicrucianism and those rituals of the Brotherhood that founded the United States is the idea that chosen humans are selected by these supernatural forces and their earthly kingdoms are formed and guided by these gods. As a deist, George Washington believed that by following the enlightened path guided by principles of Freemasonry, he would achieve apotheosis and become deified. Affirming this widespread belief among America’s founding fathers are numerous works of art throughout Washington, DC. On an 1865 card titled “Washington and Lincoln Apotheosis,” Abraham Lincoln is depicted transcending death to meet Washington among the gods. What god did Lincoln become? Humanist and American poet Walt Whitman eulogized him as the “American Osiris.” Horatio Greenough’s 1840, government-commissioned statue of George Washington shows the first president enthroned as the god Jupiter/Zeus. On one side of Washington/Zeus is his son Hercules clutching two serpents, and on the other side is his son Apollo. Greenough admitted this vision was based on presenting Washington as a deified figure, the father of Apollo similar to what the Hebrew God is to Jesus. Another representation of Washington as Jupiter/Zeus is a painting by Rembrandt Peale that hangs in the Old Senate Chamber. Peale painted it in a “poetic frenzy” in a stone oval window atop a stone sill engraved “Patriae Pater” (“Father of His Country”). The window is decorated with a garland of oak leaves, which was sacred to Jupiter, and is surmounted by the “Phydian head of Jupiter” (Peale’s description) on the keystone. The symbol of Jupitor/Zeus, the father of Apollo above Washington’s head, reflects the same conviction scripted on America’s Great Seal—that the divine being watching over Washington and the founding of the country was Jupiter/Zeus (Lucifer in the Bible), whose son is coming again to rule the novus ordo seclorum. Even the name “Capitol Hill” for the government center in Washington originated with this concept. Thomas Jefferson selected it to reflect Capitoline Hill from ancient Rome, where Jupiter (Jove) was the king of the gods. In more recent times, the Congressional Prayer Room was set up next to the Rotunda, where representatives and senators can go to meditate. The centerpiece in this room is a large, stained-glass window with George Washington between the two sides of the Great Seal of the United States. What is striking about this feature is that the order of the seal is inverted against protocol, with the reverse side of the seal, which should be at the bottom, above Washington’s head, and the front of the seal, which should be at the top, under his feet. In this position, Washington is seen on his knees praying beneath the uncapped pyramid and the all-seeing eye of Horus/Osiris/Apollo. I leave the reader to interpret what this clearly is meant to signify.
Beside those pagan gods which accompany Washington inside the Capitol dome, the scene is rich with symbols analogous with ancient and modern magic, including the powerful trident—considered of the utmost importance for sorcery and indispensable to the efficacy of infernal rites—and the caduceus, tied to Apollo and Freemasonic Gnosticism in which Jesus was a myth based on Apollo’s son, Asclepius, the god of medicine and healing whose snake-entwined staff remains a symbol of medicine today. Occult numerology associated with the legend of Isis and Osiris is also encoded throughout the painting, such as the thirteen maidens, the six scenes of pagan gods around the perimeter forming a hexagram, and the entire scene bounded by the powerful Pythagorian/Freemasonic “binding” utility—seventy-two five-pointed stars within circles.
Seventy-Two (72) Pentagrams to Control the Immortals
Much has been written by historians within and without Masonry as to the relevance of the number seventy-two (72) and the alchemy related to it. In the Kabbalah, Freemasonry, and Jewish apocalyptic writings, the number equals the total of wings Enoch received when transformed into Metatron (3 Enoch 9:2). This plays an important role for the Brotherhood, as Metatron or “the angel in the whirlwind” was enabled as the guiding spirit over America during George W. Bush’s administration for the purpose of directing the future and fate of the United States (as also prayed by Congressman Major R. Owens of New York before the House of Representatives on Wednesday, February 28, 2001).
But in the context of the Capitol dome and the seventy-two stars that circle Washington’s apotheosis in the womb of Isis, the significance of this symbolism is far more important. In sacred literature, including the Bible, stars are symbolic of angels, and within Masonic Gnosticism, seventy-two is the number of fallen angels or “kosmokrators” (reflected in the seventy-two conspirators that controlled Osiris’ life in Egyptian myth) that currently administer the affairs of earth. Experts in the study of the Divine Council believe that, beginning at the Tower of Babel, the world and its inhabitants were disinherited by the sovereign God of Israel and placed under the authority of seventy-two angels (the earliest records had the number of angels at seventy, but this was later changed to seventy-two), who became corrupt and disloyal to God in their administration of those nations (Psalm 82). These beings quickly became worshipped on earth as gods following Babel, led by Nimrod/Gilgamesh/Osiris/Apollo. Consistent with this tradition, the designers of the Capitol dome, the Great Seal of the United States, and the obelisk Washington Monument circled the Apotheosis of Washington with seventy-two pentagram stars, dedicated the obelisk seventy-two years after the signing of the Declaration of Independence, and placed seventy-two stones on the Great Seal’s uncapped pyramid, above which the eye of Horus/Osiris/Apollo stares. These three sets of seventy-two (72), combined with the imagery and occult numerology of the Osiris/obelisk, the Isis/dome, and the oracular Great Seal, are richly symbolic of the influence of Satan and his angels over the world (see Luke 4:5–6, 2 Corinthians 4:4, and Ephesians 6:12) with a prophecy toward Satan’s final earthly empire—the coming novus ordo seclorum, or new golden pagan age.
In order for the “inevitable” worship of Osiris to be “reestablished” on earth, the seventy-two old-testament demons that govern the nations must be controlled, thus they are set in seventy-two magical pentagram-constraints on the Great Seal, the Washington obelisk, and the pentagram circles around the Apotheosis of Washington to bind and force the desired Secret Destiny of America.
In The Secret Destiny of America, Hall noted as well that the seventy-two stones of the pyramid on the Great Seal correspond to the seventy-two arrangements of the Tetragrammaton, or the four-lettered name of God in Hebrew. “These four letters can be combined in seventy-two combinations, resulting in what is called the Shemhamforesh, which represents, in turn, the laws, powers, and energies of Nature.”[vi] The idea that the mystical name of God could be invoked to bind or loose those supernatural agents (powers and energies of nature, as Hall called them) is meaningful creed within many occult tenets, including Kabbalah and Freemasonry. This is why the seventy-two stars are pentagram-shaped around the deified Freemason, George Washington. Medieval books of magic, or grimoires such as the Key of Solomon and the Lesser Key of Solomon not only identify the star systems Orion (Osiris) and Pleiades (Apollo) as the “home” of these powers, but applies great importance to the pentagram shape of the stars for binding and loosing their influence. Adept Rosicrucians and Freemasons have long used these magical texts—the Key of Solomon and the Lesser Key of Solomon—to do just that. Peter Goodgame makes an important observation about this in “The Giza Discovery”:
One of the co-founders of the occult society known as the Golden Dawn[vii] was a Rosicrucian Freemason named S. L. MacGregor Mathers, who was the first to print and publish the Key of Solomon (in 1889) making it readily available to the public. Mathers describes it as a primary occult text: “The fountainhead and storehouse of Qabalistic Magic, and the origin of much of the Ceremonial Magic of mediaeval times, the ‘Key’ has been ever valued by occult writers as a work of the highest authority.” Of the 519 esoteric titles included in the catalogue of the Golden Dawn library, the Key was listed as number one. As far as contents are concerned, the Key included instructions on how to prepare for the summoning of spirits including…demons.… One of the most well-known members of the Golden Dawn was the magician [and 33rd-degree freemason] Aleister Crowley. In 1904 Crowley published the first part of the five-part Lesser Key of Solomon known as the Ars Goetia,[viii] which is Latin for “art of sorcery.” The Goetia is a grimoire for summoning seventy-two different demons that were allegedly summoned, restrained, and put to work by King Solomon [according to Masonic mysticism] during the construction of the Temple of YHWH.[ix]
Unlike other grimoires including the sixteenth-century Pseudomonarchia Daemonum and the seventeenth-century Lemegeton, the Key of Solomon does not contain the “Diabolical Signature” of the devil or demons, which the Ars Goetia describes as numbering seventy-two and who were, according to legend, constrained to assist King Solomon after he bound them in a bronze vessel sealed by magic symbols. Such books routinely contain invocations and curses for summoning, binding, and loosing these demons in order to force them to do the conjurers will. Even members of the church of Satan sign letters using the Shemhamforash, from the Hebrew name of God or Tetragrammaton, producing a blasphemous reinterpretation of the seventy-two entities. And then there is Michelangelo, who painted what we have called the “Sign of the Sixth Knuckle” inside the Sistine Chapel [mentioned elsewhere in Zenith 2016] that tied the prophecy on the Great Seal of the United States from the Cumaean Sibyl to the return of the Nephilim Apollo. But incredibly, Michelangelo also produced the Shemhamforash on the Vatican’s famous ceiling, as his fresco has “an architectural design of 24 columns. On each of these columns are two cherubs, which are mirror imaged on the adjoining column totaling 48 cherubs figures. Then on the 12 triangular spandrels flanking the ceiling borders are an additional 24 nude figures (two bronze nude figures per triangular spandrel) also mirror imaging each other. This totals to 72 cherub figures or the 72 angels of God or names of God [or conversely, the 72 angels that fell and are now the demons or kosmokrators over the nations of the earth].”[x]
Once one understands the importance that these mystical keys hold in Kabbalah, Rosicrucianism, Freemasonic mysticism, and other mystery traditions, there can be (and is) but one reasonable interpretation for the connection in the Vatican and the seventy-two pentagrams at the base of the Apotheosis of Washington. These are there to bind and control the demons over the nations to honor the dedication made by early American Freemasons and certain Roman devotees for a New Atlantis and New World Order under the coming anti-Christ deity Osiris/Apollo.[xi]
In other words, what may be the most powerful stargates in the world are in Washington DC and at the Vatican. And they are ready now to open, that the god of the immortals–THE FINAL NEPHILIM–may come through to establish his new and final Golden Pagan Age.
[i] John Dryden, trans., as published by Georgetown University Online; also appears in: Thomas Horn, Apollyon Rising 2012.
[iii] Horn, Zenith 2016, 136–140.
[iv] Martin Short, Inside the Brotherhood: Explosive Secrets of the Freemasons (UK: HarperCollins, 1995) 122.
[v]Manly P. Hall, The Lost Keys, 48.
[vi]Manly P. Hall, Secret Destiny of America (Penguin Group, 2008), chapter 18.
[x]“Shemhamphorasch,”Wikipedia, last modified December 6, 2011, http://en.wikipedia.org/wiki/Shemhamphorasch.
[xi] Horn, Zenith 2016.